Document Type
Symposia Article
Abstract
As a starting point for this Essay, in Section I, I will present new data on the musical preferences of Spotify listeners that confirms and reinforces the core findings of Copyright’s Excess. In Section II, I will then move to address some of the concerns and questions that my colleagues have raised. In Section III, I will briefly conclude.
DOI
10.37419/JPL.V6.I1.5
First Page
59
Last Page
88
Recommended Citation
Glynn Lunney,
Copyright's Excess Revisited,
6
Tex. A&M J. Prop. L.
59
(2020).
Available at:
https://doi.org/10.37419/JPL.V6.I1.5